Services
Audio
Recording sessions in a treated room, engineer included — bring your project, leave with clean takes. Hosted hours: 3 PM – 2 AM.
$55/hr · 2 hr minimumVideo
Shoot in the space: sessions, performances, and content, lit and framed.
$60/hr · 3 hr minimumRehearsal
A proper room to get loud and get tight before the gig. Self-serve PIN access, 9 AM – 2 AM.
$40/hr · 2 hr minimum · 4-hour block $150 · Student block (with ID) $135 / 4 hrs · Weekday daytime (10 AM–4 PM) $35/hrProduction
Full production support, from first idea to finished track.
$60/hr · 3 hr minimumAI Filmmaking
A full AI film pipeline in-house — LTX Studio generation with Final Cut Pro post. Music videos, concept films, and visual worlds, from first frame to final cut.
Projects quoted individuallyPodcasting
Sit down, mic up, and record a podcast that sounds like a studio made it. Audio + video, up to 4 mics.
$50/hr · 1 hr minimumLive Capture
Your live set, recorded as it happens — multitrack audio and video.
$75/hr · 2 hr minimumKaraoke
Karaoke nights in a real studio room, not a living room. Hosted, private.
$45/hr · 2 hr minimumPlayback Listening
Hear your mixes and masters back loud, on a real system, before you release them.
$30/hr · 1 hr minimumHow Booking Works
- Pick a service and a time on the booking calendar — open days and times are shown there.
- Pay online through Square to lock the time.
- You get a confirmation and a unique door PIN for your session — self check-in, no back-and-forth needed. The PIN is deleted after your session.
Need something the calendar doesn’t show, or a block booking? Email eternatasstudiosla@gmail.com
Studio Guide — Powering the Room
The room’s power points are numbered. Follow the numbers and you can’t go wrong.
Power up — follow the numbers:
- 1 — The mixer. Its power switch is on the mixer’s right-hand back corner, under the “1” label. Switch it on and let it boot.
- 2 & 3 — The master rack units, right-hand side of the workstation desk. These power up the rest of the room safely. One more rack unit in that stack stays on at all times — it’s labeled “do not turn off.” Never touch it.
- 4 — The workstation switch (other side of the desk): the wireless system, surround sound and PlayStation. The wireless system runs on hosted sessions — ask when booking.
- 5 — The drop between the bass rig and the sub, at the kit end of the room: bass rig, drum wedge and sub.
- 6 — The drop behind the guitar half-stacks: the guitar rig and one of the room lights.
- 7 & 8 — The main speakers, last. One switch behind each main, either side of the big screen. Speakers always come on last, so nothing pops.
Drops 10, 11 & 12 are pedalboard/utility outlets around the room (12 is by the drums) — use them for your own gear as needed.
Power down: walk it backwards — mains first, then 6, 5, 4, racks 2 & 3, and the mixer last. The always-on rack unit stays on.
Open the printable room power map — the same one-pager that hangs inside the studio door.
Leave it right: cables coiled, mics back in their spots, the kit as you found it, and pull the door shut behind you — your PIN dies when your session ends. Something wrong — a loud pop, a buzz that won’t quit, a burning smell? Stop, power down in reverse order, and message the studio at eternatasstudiosla@gmail.com. Please don’t go hunting inside the rack.
Studio Guide — Running the Mixer
The board is preset — gains, EQ and levels are already dialed in. The one control you may touch is the effects knob (reverb / echo amount). Everything else: hands off. If something sounds wrong, message the studio — don’t go hunting.
Plug in — follow the labels on the board:
- Singing? House vocal mics are Vox 1 and Vox 2 — two mics; their cables hang on labeled hooks.
- Phone playback? Use KALI BT, the Bluetooth input. (The “Dongle PB” channel is private — leave it.)
- Guitar? The white EVH 5150 is the communal rig — turn its noise suppressor on (channel 3 runs hot). The Marshall stack is private — not part of any rental.
- Bass runs through a DI into the board and the sub — levels are preset.
- The drum wedge and sub are fed from aux sends — already set.
Hands off, no exceptions: the Mac L/R channels, the rack (Apollos, pres, splitters, the studio hard drive), the audio snake, and every channel strip except the effects knob. Wireless in-ears run on hosted sessions with the engineer — ask when booking, and bring your own earbuds.
Hours
Open 9 AM – 2 AM. Self-serve bookings on PIN access (rehearsal, playback) run the full 9 AM – 2 AM window. Sessions that need an engineer or host on site — recording, live capture, hosted karaoke — book 3 PM – 2 AM. Hourly booking only; no monthly rentals.
Cancellation
Cancel free up to 48 hours before your session. Inside 48 hours, a 50% cancellation fee applies.
The Room — Gear
Console & recording core: 30-channel Mackie mixer · Universal Audio Apollo X8P + Apollo X4 interfaces · two ART line splitters · Pro Tools Ultimate with the full UAD plug-in library · Neve 5211 and Warm Audio WA-412 mic pres.
Monitoring & PA: Yamaha HS5 studio monitors · Yamaha mains + QSC sub · Mackie Thump12 drum wedge · two Shure PSM 300 wireless in-ear systems (bring your own earbuds).
Backline, included with the room: EVH 5150 half stack (original first-run) · Gallien-Krueger 700RB bass rig with Markbass 4×10 · 6-piece Mapex kit with DW 5000 double pedal — snare, hi-hat and ride included; drummers, bring your own crash cymbals (the crashes aren't part of the rental) · Roland Jupiter-Xm synth.
Lighting you control: a DMX lighting system (Venue Tetra Control) with a foot switch — run the room's lights yourself mid-set, or have them run for you on hosted sessions.
Clean takes, isolated signal: the ART line splitters keep the recording path isolated — no bleed from neighboring rooms, no outside noise in your takes. Ask to hear reference recordings made in this room.
Please note: the Marshall stack in the room is private and not part of the rental.
About
[SHORT BIO — Johnny to approve; draft ready.]